All Through the Night (Ar Hyd y Nos)
Traditional Welsh · Beginner violin practice
The Welsh lullaby Ar Hyd y Nos, voiced in G major for an easy, singing first-position arrangement.
Premium repertoire · 133 seconds · 83 notes
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Traditional Welsh · Beginner violin practice
The Welsh lullaby Ar Hyd y Nos, voiced in G major for an easy, singing first-position arrangement.
Premium repertoire · 133 seconds · 83 notes
Traditional French · Beginner violin practice
A gentle French lullaby. Three full verses — each verse is restated before the contrasting bridge and a final verse.
Premium repertoire · 107 seconds · 110 notes
Traditional English · Beginner violin practice
The farmer-and-his-dog spelling song. Two full verses.
Premium repertoire · 97 seconds · 114 notes
Edwin Hatch (1878) / TRENTHAM (Robert Jackson) · Beginner violin practice
Edwin Hatch's quiet prayer for the Holy Spirit, set to the gentle TRENTHAM tune.
Premium repertoire · 98 seconds · 64 notes
Johann Pachelbel · Beginner violin practice
Pachelbel’s famous descending bass progression, played in the low register. A perfect introduction to the C string — the F♯ on string 5 is a third-finger reach below G.
Premium repertoire · 113 seconds · 64 notes
Traditional English (16th c.) · Beginner violin practice
The plaintive 16th-century lullaby in 3/4. Two verses.
Premium repertoire · 93 seconds · 96 notes
Thomas Ken (1674) / OLD HUNDREDTH tune · Beginner violin practice
The famous four-line doxology sung after the offering. Simple, dignified, and beautiful — perfect for a beginner hymn.
Premium repertoire · 134 seconds · 144 notes
Anonymous (Silesian, 17th c.) / CRUSADERS' HYMN · Beginner violin practice
The beloved Silesian folk hymn also known as the Crusaders' Hymn. Two verses in D major.
Premium repertoire · 141 seconds · 92 notes
Patty & Mildred J. Hill · Beginner violin practice
The familiar 1893 birthday song in D major: a 3/4 tune with its written A-pickup, voiced in first position across the D, A, and E strings.
Free starter piece · 101 seconds · 130 notes
Traditional · Beginner violin practice
A short English street cry. Five complete repetitions — great for drilling 1st and 3rd finger placement on the A string.
Premium repertoire · 97 seconds · 170 notes
Walter C. Smith (1867) / ST. DENIO (Welsh folk melody) · Beginner violin practice
Walter Smith’s hymn set to ST DENIO: the source’s energetic 3/4 Welsh tune, with its written G pickup and complete 16-bar soprano stanza.
Premium repertoire · 96 seconds · 176 notes
Stephen Foster (1854) · Beginner violin practice
Foster’s heartfelt parlour song from 1854. A flowing waltz melody through two verses.
Premium repertoire · 90 seconds · 70 notes
Anna B. Warner / William Batchelder Bradbury (1862) · Beginner violin practice
The beloved children’s hymn: Open Hymnal’s complete 4/4 verse-and-refrain soprano line, voiced in first position.
Premium repertoire · 96 seconds · 147 notes
Charlotte Elliott (1835) / William B. Bradbury · Beginner violin practice
Charlotte Elliott's hymn of simple surrender, long associated with evangelistic invitation.
Premium repertoire · 177 seconds · 128 notes
Traditional German · Beginner violin practice
A bouncy German folk tune from the Suzuki repertoire. Three full statements — great for drilling crisp staccato bowing.
Premium repertoire · 106 seconds · 159 notes
Traditional · Beginner violin practice
A classic English nursery rhyme. Four verses with a stepwise melody in D major.
Premium repertoire · 93 seconds · 129 notes
Thomas Haynes Bayly · Beginner violin practice
A nostalgic English ballad from 1833 — a Suzuki Book 1 staple. Three verses with smooth bow strokes.
Premium repertoire · 122 seconds · 147 notes
Johannes Brahms (Op. 49 No. 4) · Beginner violin practice
Brahms’ cradle-song, transposed to F major so each cadence falls onto a low C-string F — the rocking accompaniment can be felt under the melody.
Premium repertoire · 119 seconds · 139 notes
Traditional · Beginner violin practice
A perennial first tune. Played in D major, all on the A and E strings. Five complete verses.
Premium repertoire · 90 seconds · 130 notes
Traditional American Spiritual · Beginner violin practice
A Sea Islands spiritual. Two verses with the famous “Alleluia” refrain.
Premium repertoire · 95 seconds · 96 notes
Traditional German (O Tannenbaum) · Beginner violin practice
The traditional German tree carol in G major, with its balanced, stepwise refrain played twice.
Premium repertoire · 96 seconds · 124 notes
Frederick Whitfield (1855) / Traditional American · Beginner violin practice
A simple, warm expression of devotion. Played in D major, all in first position. Two verses and chorus.
Premium repertoire · 143 seconds · 126 notes
Traditional · Beginner violin practice
A cheerful farmyard romp. Three verses (cow, pig, duck) with the famous E-I-E-I-O refrain.
Premium repertoire · 100 seconds · 165 notes
Dorothy A. Thrupp (1836) / BRADBURY (William B. Bradbury) · Beginner violin practice
A gentle shepherd-and-flock hymn: Open Hymnal’s complete BRADBURY soprano line in E-flat major at its written 100 BPM.
Premium repertoire · 115 seconds · 192 notes
Traditional American · Beginner violin practice
A rollicking pioneer banjo tune. Two verses with a clear A–B form.
Premium repertoire · 96 seconds · 136 notes
Elder Joseph Brackett (1848) · Beginner violin practice
The beloved Shaker hymn made famous by Copland's Appalachian Spring. A flowing, song-like melody transposed to C major so it stays in normal first position.
Premium repertoire · 94 seconds · 124 notes
George Croly (1854) / MORECAMBE (Frederick C. Atkinson) · Beginner violin practice
A reverent prayer for the Holy Spirit. Two verses of the gentle MORECAMBE tune.
Premium repertoire · 100 seconds · 56 notes
Frances R. Havergal (1874) / HENDON tune (H. A. César Malan) · Beginner violin practice
Frances Havergal's consecration hymn. Two verses of the HENDON tune.
Premium repertoire · 177 seconds · 128 notes
Traditional English · Beginner violin practice
The festive English carol. Verse + chorus repeated.
Premium repertoire · 104 seconds · 138 notes
Traditional American · Beginner violin practice
The beloved nursery rhyme, played twice through.
Premium repertoire · 95 seconds · 132 notes
Louisa M. R. Stead (1882) / William J. Kirkpatrick · Beginner violin practice
A gentle, trusting hymn. Two verses and chorus in G major.
Premium repertoire · 173 seconds · 134 notes
Traditional Version · Beginner violin practice
The familiar traditional theme in D major, repeated four times in first position across the A and E strings (A4–F#5).
Free starter piece · 115 seconds · 168 notes
Isaac Watts (1707) / HAMBURG tune (Lowell Mason) · Beginner violin practice
Isaac Watts’s Passion hymn: the complete Open Hymnal HAMBURG soprano line, transposed to G major for violin practice.
Premium repertoire · 118 seconds · 156 notes
Traditional American Gospel · Beginner violin practice
A jubilant Dixieland march. Two verses with a final tag.
Premium repertoire · 93 seconds · 136 notes
Traditional American · Beginner violin practice
A spirited Revolutionary-War march. Both verses played, ending with the chorus.
Premium repertoire · 105 seconds · 168 notes
Martin Luther (1529) / EIN FESTE BURG · Intermediate violin practice
Luther's great Reformation hymn — "the battle hymn of the Reformation." Two verses of the strong chorale.
Premium repertoire · 169 seconds · 128 notes
Henry F. Lyte (1847) / EVENTIDE (William H. Monk) · Intermediate violin practice
Lyte's great evening hymn set to Monk's tender EVENTIDE tune. Two meditative verses.
Premium repertoire · 106 seconds · 64 notes
Turner Layton & Henry Creamer · Intermediate violin practice
The 1918 Layton–Creamer standard beloved by Bessie Smith and the Benny Goodman Trio. A 20-bar chorus with restlessly active harmony, set in C major for first position.
Premium repertoire · 131 seconds · 246 notes
Fats Waller & Harry Brooks · Intermediate violin practice
Fats Waller’s 1929 stride-piano classic from the revue “Hot Chocolates.” AABA chorus with its famous chromatic-climb bridge, in a first-position-friendly C major.
Premium repertoire · 160 seconds · 252 notes
Richard A. Whiting · Intermediate violin practice
Whiting, Kahn & Egan’s cheerful 1921 foxtrot — “ev’ry morning, ev’ry evening, ain’t we got fun.” 32-bar chorus in F major with a bright rhythmic bounce.
Premium repertoire · 140 seconds · 196 notes
Johann Sebastian Bach · Intermediate violin practice
Bach's serene Air from Orchestral Suite No. 3 (BWV 1068), adapted for violin melody. Slow, singing phrases in D major.
Premium repertoire · 91 seconds · 52 notes
J. S. Bach (BWV 1068) · Intermediate violin practice
Bach’s celebrated Air, transposed down so the long sustained opening note and its descending answer sit naturally on the C and G strings.
Premium repertoire · 115 seconds · 80 notes
Francis of Assisi (1225) / LASST UNS ERFREUEN · Intermediate violin practice
St. Francis's Canticle of the Sun set to the joyful LASST UNS ERFREUEN tune with its ringing Alleluias.
Premium repertoire · 109 seconds · 106 notes
Edward Perronet (1779) / CORONATION tune (Oliver Holden) · Intermediate violin practice
The great coronation hymn. Two verses of the CORONATION tune in D major.
Premium repertoire · 129 seconds · 126 notes
Traditional American · Intermediate violin practice
A bittersweet Appalachian lullaby in D minor. Sung once high and once low so the cradle rocks across the C string.
Premium repertoire · 91 seconds · 108 notes
Traditional / John Newton · Intermediate violin practice
New Britain, the familiar Amazing Grace tune: a 3/4 G-major hymn with its written D pickup and soprano melody from the Open Hymnal score.
Premium repertoire · 115 seconds · 148 notes
Charles Wesley (1738) / SAGINA tune (Thomas Campbell) · Intermediate violin practice
Charles Wesley's towering hymn of redemption. Two verses of the powerful SAGINA tune.
Premium repertoire · 160 seconds · 128 notes
Pyotr Ilyich Tchaikovsky (Op. 11) · Intermediate violin practice
The famous Andante built on a Russian folk song. Repeated low so each phrase lingers on the C string.
Premium repertoire · 111 seconds · 116 notes
Traditional French · Intermediate violin practice
The French carol with the long "Gloria" melisma. Verse, chorus, verse, chorus.
Premium repertoire · 91 seconds · 148 notes
Traditional Scottish · Intermediate violin practice
A timeless Scottish love song in D major. Elegant 3/4 phrasing with a warm, expressive melody.
Premium repertoire · 126 seconds · 124 notes
Traditional Scottish / Robert Burns · Intermediate violin practice
The world-famous Scottish New Year anthem in G major, included here for the Christmas and New Year season.
Premium repertoire · 126 seconds · 99 notes
Antonio Vivaldi (RV 293) · Intermediate violin practice
The "drunken peasants fall asleep" Adagio of Autumn: the scored solo-violin line in D minor, entering after the orchestral stillness and sustaining the sleepy scene.
Premium repertoire · 158 seconds · 62 notes
James R. Murray (1887) · Intermediate violin practice
The gentle Christmas lullaby in 3/4. Two verses.
Premium repertoire · 94 seconds · 80 notes
Jacques Offenbach · Intermediate violin practice
The gondolier’s rocking 6/8 song. Two full verses.
Premium repertoire · 91 seconds · 128 notes
Irish hymn (8th c.) / SLANE tune · Intermediate violin practice
Ancient Irish prayer poem set to the beautiful folk tune SLANE. Two verses in D major.
Premium repertoire · 90 seconds · 56 notes
Stephen Foster (1864) · Intermediate violin practice
Foster’s last and most beloved ballad. A flowing waltz in 3/4 time, two verses.
Premium repertoire · 126 seconds · 98 notes
Traditional Irish · Intermediate violin practice
A tender 19th-century Irish air in G major. Graceful three-quarter time with a singing melody.
Premium repertoire · 103 seconds · 98 notes
Fanny J. Crosby (1873) / Phoebe P. Knapp · Intermediate violin practice
Fanny Crosby's exuberant testimony hymn. Two verses and chorus in G major.
Premium repertoire · 171 seconds · 128 notes
Richard Wagner · Intermediate violin practice
The processional "Here Comes the Bride". Two full statements with the answering phrase.
Premium repertoire · 90 seconds · 96 notes
Ray Henderson & Mort Dixon · Intermediate violin practice
Ray Henderson’s wistful 1926 hit, a jam-session staple ever since. The 32-bar ABCD chorus sits comfortably in first position in its original F major.
Premium repertoire · 132 seconds · 142 notes
Stephen Foster · Intermediate violin practice
Foster’s "Doo-dah" song from 1850. Verse, chorus, verse, chorus.
Premium repertoire · 96 seconds · 140 notes
Antonín Dvořák (Op. 104) · Intermediate violin practice
The horn theme from Dvořák’s great Cello Concerto, transposed so the soaring line rises off the C string.
Premium repertoire · 93 seconds · 90 notes
Camille Saint-Saëns (Op. 33) · Intermediate violin practice
The opening cello entry of Saint-Saëns’ First Concerto, transposed for 5-string violin.
Premium repertoire · 94 seconds · 122 notes
J. S. Bach (BWV 1007) · Intermediate violin practice
The lively G-major Courante. Running eighths that constantly cross from the C string to the upper register.
Premium repertoire · 98 seconds · 122 notes
Charles Wesley (1739) / LLANFAIR (Robert Williams) · Intermediate violin practice
The glorious Easter hymn with its triumphant Alleluias. Two verses in D major.
Premium repertoire · 132 seconds · 132 notes
Robert Robinson (1758) / NETTLETON tune · Intermediate violin practice
Robert Robinson's beloved hymn of praise and dedication, set to the NETTLETON tune.
Premium repertoire · 142 seconds · 104 notes
J. S. Bach · Intermediate violin practice
The exquisite Largo from Bach’s Double Violin Concerto: the first violin’s singing F-major 12/8 line in a violin-friendly practice register.
Premium repertoire · 103 seconds · 85 notes
Johnson Oatman Jr. (1897) / Edwin O. Excell · Intermediate violin practice
Oatman's cheerful gospel hymn of gratitude. Two verses and the joyful counting chorus.
Premium repertoire · 163 seconds · 132 notes
Matthew Bridges / Godfrey Thring (1851) / DIADEMATA (George J. Elvey) · Intermediate violin practice
The majestic coronation hymn set to Elvey's DIADEMATA tune. Two verses in D major.
Premium repertoire · 147 seconds · 134 notes
Pyotr Ilyich Tchaikovsky · Intermediate violin practice
Tchaikovsky's magical celesta melody from The Nutcracker, adapted for violin in E minor. Staccato, delicate, and enchanting.
Premium repertoire · 63 seconds · 77 notes
Pyotr Ilyich Tchaikovsky (Op. 71) · Intermediate violin practice
The celesta’s tip-toe melody, alternating with a sparse pizzicato bass on the low C and E strings that mimics the original double-bass accompaniment.
Premium repertoire · 126 seconds · 144 notes
Traditional Irish · Intermediate violin practice
The beloved Irish air. Long sustained bows and a soaring high A.
Premium repertoire · 140 seconds · 128 notes
John Greenleaf Whittier (1872) / REPTON (Charles Hubert Hastings Parry) · Intermediate violin practice
Whittier's calming prayer, set to Parry's rich REPTON tune. Two meditative verses.
Premium repertoire · 173 seconds · 92 notes
Traditional Welsh · Intermediate violin practice
The classic Welsh New Year carol "Nos Galan". Two verses with the "fa-la-la" refrain.
Premium repertoire · 98 seconds · 130 notes
Traditional Irish / W.B. Yeats · Intermediate violin practice
Yeats's gentle Irish air in G major. Beautiful lyrical lines perfect for expressive bowing.
Premium repertoire · 51 seconds · 58 notes
Joseph Haydn · Intermediate violin practice
The hymn-like theme from Haydn’s "Emperor" Quartet, later adopted as the German national anthem.
Premium repertoire · 110 seconds · 138 notes
Traditional African-American Spiritual · Intermediate violin practice
A driving spiritual. The chorus tag "way up in the middle of the air" returns each time on the low C and E strings.
Premium repertoire · 95 seconds · 130 notes
William W. How (1864) / SINE NOMINE (Ralph Vaughan Williams) · Intermediate violin practice
The great All Saints' Day processional. Vaughan Williams's noble SINE NOMINE tune.
Premium repertoire · 153 seconds · 128 notes
Traditional French · Intermediate violin practice
The famous round, played three times through. Practices simple stepwise motion in D major.
Premium repertoire · 93 seconds · 156 notes
Ludwig van Beethoven (WoO 59) · Intermediate violin practice
Beethoven’s parlour favourite, transposed down. Full A-B-A-C-A form: main motif, lyrical B section, and the stormy C episode.
Premium repertoire · 103 seconds · 154 notes
J. S. Bach (Suzuki Book 3) · Intermediate violin practice
A stately Baroque dance — flowing eighth-note runs and clear cadences. A and B sections each repeated, then da capo.
Premium repertoire · 113 seconds · 178 notes
Hoagy Carmichael & Stuart Gorrell · Intermediate violin practice
Hoagy Carmichael’s tender 1930 ballad, later immortalized by Ray Charles. AABA 32 bars in the original F major — a singing, sustained line perfect for working on tone.
Premium repertoire · 96 seconds · 90 notes
John Newton (1779) / AUSTRIA (Franz Joseph Haydn) · Intermediate violin practice
John Newton's great hymn to the church, set to Haydn's stately Emperor's Hymn tune.
Premium repertoire · 96 seconds · 70 notes
Traditional African-American Spiritual · Intermediate violin practice
The solemn spiritual. Each verse begins low on the C string, rises to the call, and returns home.
Premium repertoire · 94 seconds · 96 notes
Traditional English Carol (early 16th c.) · Intermediate violin practice
The ancient English Christmas carol in E minor. Two verses and the jubilant refrain.
Premium repertoire · 121 seconds · 130 notes
Antonín Dvořák · Intermediate violin practice
The plaintive Largo theme from Dvořák’s New World Symphony, arranged two octaves down to live on the C and G strings — a singing study for the bottom register.
Premium repertoire · 110 seconds · 86 notes
John Mason Neale (1853) / Piae Cantiones · Intermediate violin practice
A 13th-century carol melody with Victorian Christmas lyrics. Two verses.
Premium repertoire · 93 seconds · 136 notes
Thomas O. Chisholm (1923) / William M. Runyon · Intermediate violin practice
Chisholm's beloved hymn of God's faithfulness, set to Runyon's memorable tune.
Premium repertoire · 168 seconds · 116 notes
Traditional English · Intermediate violin practice
The haunting Renaissance melody in A minor. A study in expressive 6/8 phrasing.
Premium repertoire · 96 seconds · 126 notes
William Williams (1745) / CWM RHONDDA (John Hughes) · Intermediate violin practice
The great Welsh pilgrimage hymn set to Hughes's powerful CWM RHONDDA tune.
Premium repertoire · 171 seconds · 128 notes
Stephen Collins Foster (1854) · Intermediate violin practice
Foster’s enduring 1854 song in E-flat major: the selected first verse and refrain, retained as a single-line first-position melody with its written pickup and dotted-note turns.
Premium repertoire · 92 seconds · 122 notes
Felix Mendelssohn (1840) · Intermediate violin practice
Mendelssohn’s majestic carol in G major. Two verse couplets, the “Joyful all ye nations” chorus (twice), then the final refrain.
Premium repertoire · 94 seconds · 140 notes
Johnson Oatman Jr. (1898) / Charles H. Gabriel · Intermediate violin practice
Oatman's upward-pressing gospel hymn. Two verses and the ascending chorus.
Premium repertoire · 162 seconds · 124 notes
Reginald Heber (1826) / John B. Dykes (NICAEA) · Intermediate violin practice
The classic Trinitarian hymn set to John Dykes's majestic NICAEA tune. Two full verses in D major.
Premium repertoire · 96 seconds · 96 notes
Daniel E. Kelley / Brewster Higley · Intermediate violin practice
The Kansas state anthem (1873) in 3/4 waltz time. Verse, chorus, verse.
Premium repertoire · 95 seconds · 112 notes
R. Keene (1787) / FOUNDATION tune · Intermediate violin practice
A strong hymn of assurance and perseverance. Two verses of the FOUNDATION tune.
Premium repertoire · 131 seconds · 104 notes
Antonín Dvořák (Op. 101) · Intermediate violin practice
Dvořák’s most famous Humoresque. The dotted, dance-like opening through both halves.
Premium repertoire · 91 seconds · 126 notes
Antonín Dvořák · Intermediate violin practice
Dvořák's beloved Humoresque Op. 101 No. 7 — the main theme adapted for violin in G major with its characteristic lilting rhythm.
Premium repertoire · 60 seconds · 79 notes
George Gershwin & Ira Gershwin · Intermediate violin practice
Gershwin’s 1930 showstopper from “Girl Crazy” — the tune whose “rhythm changes” became jazz’s second-most-played chord progression. Bb major, AABA with a dominant-cycle bridge.
Premium repertoire · 128 seconds · 150 notes
Daniel W. Whittle (1883) / James McGranahan · Intermediate violin practice
Whittle's confident hymn based on 2 Timothy 1:12. Two verses and the affirmative chorus.
Premium repertoire · 176 seconds · 280 notes
Annie S. Hawks (1872) / Robert Lowry · Intermediate violin practice
Annie Hawks's gentle hymn of dependence on God, set to Robert Lowry's simple tune.
Premium repertoire · 140 seconds · 90 notes
Judson W. Van DeVenter (1896) / Winfield S. Weeden · Intermediate violin practice
The great consecration hymn. Two verses and the surrendering chorus.
Premium repertoire · 93 seconds · 64 notes
Traditional American · Intermediate violin practice
The classic 1894 work song. Verse, "Dinah, blow your horn" refrain, then verse again.
Premium repertoire · 93 seconds · 146 notes
Richard Storrs Willis (1850) · Intermediate violin practice
Edmund Sears’s Christmas text set to Willis’s CAROL tune, in a calm G-major four-part phrase structure.
Premium repertoire · 96 seconds · 108 notes
Horatio G. Spafford (1873) / Philip P. Bliss · Intermediate violin practice
Spafford's profound hymn of peace written after personal tragedy. Two verses and the resonant chorus.
Premium repertoire · 127 seconds · 110 notes
J. S. Bach (BWV 147) · Intermediate violin practice
Bach’s gentle chorale, transposed to C major. Three full statements of the flowing triplet melody.
Premium repertoire · 108 seconds · 144 notes
Elvina M. Hall (1865) / John T. Grape · Intermediate violin practice
A beloved hymn of grace and redemption. Two verses and the familiar chorus.
Premium repertoire · 151 seconds · 120 notes
James Lord Pierpont (1857) · Intermediate violin practice
The most famous Christmas song. Verse + chorus + verse + chorus.
Premium repertoire · 95 seconds · 142 notes
Traditional American / attributed to James R. Murray · Intermediate violin practice
The cheerful 19th-century Santa carol in D major. Verse and refrain make an easy, festive first-position study.
Premium repertoire · 114 seconds · 159 notes
G. F. Handel / Lowell Mason · Intermediate violin practice
The triumphant descending-scale Christmas anthem. Two verses with a final tag.
Premium repertoire · 91 seconds · 224 notes
Henry van Dyke (1907) / ODE TO JOY (Ludwig van Beethoven) · Intermediate violin practice
Van Dyke's great hymn of praise set to Beethoven's Ode to Joy. Two verses of the soaring tune.
Premium repertoire · 115 seconds · 186 notes
W. A. Mozart (K. 626) · Intermediate violin practice
The weeping chromatic ascent of the Requiem, sung an octave down so each rising sigh begins on the C string.
Premium repertoire · 105 seconds · 88 notes
W. A. Mozart (K. 339) · Intermediate violin practice
The serene soprano solo from Vesperae solennes de confessore. Long sustained melodic line.
Premium repertoire · 93 seconds · 88 notes
Elisha A. Hoffman (1887) / Anthony J. Showalter · Intermediate violin practice
A warm Southern gospel hymn of trust. Two verses and the comforting chorus.
Premium repertoire · 165 seconds · 128 notes
Traditional Scottish · Intermediate violin practice
Scotland's beloved loch song in G major. Flowing 4/4 phrasing with a soaring chorus.
Premium repertoire · 158 seconds · 128 notes
Traditional Welsh · Intermediate violin practice
Wales's stirring national march in G major. Powerful 4/4 with bold, declamatory phrases.
Premium repertoire · 84 seconds · 98 notes
J. S. Bach (BWV Anh. 114) · Intermediate violin practice
The familiar minuet from the Notebook for Anna Magdalena — first the Minuet (A and B sections), then a contrasting Trio in D, then a return to the opening Minuet (da capo al fine).
Premium repertoire · 150 seconds · 284 notes
J. S. Bach (Notebook for Anna Magdalena) · Intermediate violin practice
The third minuet from the Anna Magdalena Notebook. Stately 3/4 dance with both repeats.
Premium repertoire · 93 seconds · 150 notes
Traditional Irish · Intermediate violin practice
The iconic Dublin street song in D major. Graceful 3/4 phrasing and a memorable chorus.
Premium repertoire · 58 seconds · 72 notes
Elizabeth Prentiss (1856) / MORE LOVE TO THEE (William H. Doane) · Intermediate violin practice
Elizabeth Prentiss's earnest prayer for deeper love. Two verses of Doane's tender tune.
Premium repertoire · 161 seconds · 96 notes
Edvard Grieg (Op. 46) · Intermediate violin practice
The pastoral sunrise from Peer Gynt, stated first in the upper octave and answered an octave lower so each phrase is rooted on the C and G strings.
Premium repertoire · 90 seconds · 108 notes
J. S. Bach (Notebook for Anna Magdalena) · Intermediate violin practice
A bagpipe-style dance over a drone bass. Both halves repeated.
Premium repertoire · 92 seconds · 168 notes
Traditional Scottish · Intermediate violin practice
A cheerful Scottish sailing song in G major. Lovely waltz time with a bright, bouncy chorus.
Premium repertoire · 125 seconds · 112 notes
Ray Palmer (1830) / OLIVET (Lowell Mason) · Intermediate violin practice
Ray Palmer's fervent hymn of trust set to Lowell Mason's OLIVET tune.
Premium repertoire · 99 seconds · 64 notes
Edward Mote (1834) / SOLID ROCK (William B. Bradbury) · Intermediate violin practice
Edward Mote's great hymn of assurance. Two verses and the triumphant chorus.
Premium repertoire · 169 seconds · 124 notes
Stephen Foster (1853) · Intermediate violin practice
Foster’s wistful ballad of home and longing. Two verses with chorus.
Premium repertoire · 129 seconds · 138 notes
Fanny J. Crosby (1869) / William H. Doane · Intermediate violin practice
Fanny Crosby's Passion-tide hymn of drawing near to the cross. Two verses and chorus.
Premium repertoire · 158 seconds · 108 notes
Sarah F. Adams (1841) / BETHANY (Lowell Mason) · Intermediate violin practice
Sarah Adams's beloved hymn based on Jacob's dream at Bethel, set to Lowell Mason's BETHANY tune.
Premium repertoire · 139 seconds · 80 notes
Modest Mussorgsky · Intermediate violin practice
The dark whirlwind theme from Mussorgsky’s tone poem. Driving low-string ostinato and answering call.
Premium repertoire · 106 seconds · 218 notes
Alexander Borodin · Intermediate violin practice
Borodin’s celebrated Nocturne. The cello’s opening theme on the 5-string violin’s lower register.
Premium repertoire · 94 seconds · 100 notes
W. A. Mozart (K. 492) · Intermediate violin practice
Figaro’s mocking march to Cherubino. The famous opening tune through both halves.
Premium repertoire · 92 seconds · 136 notes
Robert Lowry (1876) · Intermediate violin practice
Robert Lowry's great atonement hymn. Two verses and the affirmative chorus.
Premium repertoire · 176 seconds · 128 notes
John Francis Wade (c. 1751) · Intermediate violin practice
The grand Christmas processional. Two verses with the "O come, let us adore Him" refrain.
Premium repertoire · 92 seconds · 108 notes
Isaac Watts (1719) / ST. ANNE (William Croft) · Intermediate violin practice
Watts's great paraphrase of Psalm 90, set to Croft's noble ST. ANNE tune.
Premium repertoire · 96 seconds · 64 notes
Lewis H. Redner (1868) · Intermediate violin practice
The American Christmas hymn. Two verses through the full melody.
Premium repertoire · 94 seconds · 104 notes
Bernard of Clairvaux (12th c.) / PASSION CHORALE (Hans Leo Hassler / J. S. Bach) · Intermediate violin practice
The beloved Passion chorale, harmonized by Bach. A profound meditation on the suffering of Christ.
Premium repertoire · 93 seconds · 52 notes
Robert Grant (1833) / HANOVER tune (William Croft) · Intermediate violin practice
Grant's majestic paraphrase of Psalm 104, set to the stately HANOVER tune.
Premium repertoire · 120 seconds · 80 notes
Ludwig van Beethoven · Intermediate violin practice
Beethoven’s 9th Symphony, movement IV: the familiar 16-bar D-major chorale theme, stated in the upper register and then an octave lower.
Free starter piece · 140 seconds · 248 notes
Traditional American · Intermediate violin practice
A bittersweet 19th-century ballad. Two verses with a chorus repeat.
Premium repertoire · 92 seconds · 104 notes
Stephen Foster · Intermediate violin practice
Foster’s 1848 banjo song. Verse + chorus, then verse + chorus again.
Premium repertoire · 98 seconds · 150 notes
G. F. Handel (HWV 40) · Intermediate violin practice
Handel’s ravishing aria, often called simply "Largo". A study in long, sustained bowing.
Premium repertoire · 107 seconds · 76 notes
Traditional American · Intermediate violin practice
An Appalachian waltz in 3/4. Two slow verses.
Premium repertoire · 106 seconds · 130 notes
Sabine Baring-Gould (1865) / ST. GERTRUDE (Arthur Sullivan) · Intermediate violin practice
Baring-Gould's marching hymn, set to Arthur Sullivan's stirring ST. GERTRUDE tune.
Premium repertoire · 139 seconds · 128 notes
W. A. Mozart (K. 620) · Intermediate violin practice
The bird-catcher’s cheeky aria from The Magic Flute. Two verses with a panpipe-style coda.
Premium repertoire · 95 seconds · 120 notes
Gabriel Fauré · Intermediate violin practice
Fauré’s wistful pavane, reset in D minor so the descending phrase resolves onto a low C-string D.
Premium repertoire · 104 seconds · 120 notes
Richard Wagner · Intermediate violin practice
The processional from Tannhäuser. Wagner’s broad chorale in low strings, anchored on the C-string E♭ and F.
Premium repertoire · 92 seconds · 108 notes
Traditional English · Intermediate violin practice
A bouncy 19th-century jig. Two full verses ending with the famous "pop".
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Joachim Neander (1680) / LOBE DEN HERREN · Intermediate violin practice
Neander's great praise hymn from the German Reformed tradition, set to the stirring LOBE DEN HERREN tune.
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Frédéric Chopin · Intermediate violin practice
Chopin’s gentle mazurka-prelude. Two repeats through the lyrical 16-bar form.
Premium repertoire · 96 seconds · 68 notes
Augustus M. Toplady (1776) / TOPLADY tune (Thomas Hastings) · Intermediate violin practice
Toplady's great hymn of refuge. Two verses of the earnest TOPLADY tune.
Premium repertoire · 90 seconds · 64 notes
Camille Saint-Saëns · Intermediate violin practice
Saint-Saëns’ lyrical Romance for cello and orchestra. Long-breathed melody centered on the C string.
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Ludwig van Beethoven · Intermediate violin practice
Beethoven's lyrical Romance No. 2 in F major — the gentle opening theme, full of singing melody and warm piano accompaniment.
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Traditional American · Intermediate violin practice
The classic round, played through twice with a sung-style tag.
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Edward Elgar · Intermediate violin practice
Elgar's tender love song (Op. 12), adapted for violin in D major. Warmly lyrical with gentle piano accompaniment.
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Edward Elgar (Op. 12) · Intermediate violin practice
Elgar’s gentle salon piece for his fiancée. Two verses of the famous tune.
Premium repertoire · 92 seconds · 104 notes
G. F. Handel (HWV 437) · Intermediate violin practice
The implacable D-minor sarabande from Suite No. 11. The closing variation drops a full octave so each downbeat lands on the C string.
Premium repertoire · 120 seconds · 80 notes
Traditional English · Intermediate violin practice
A modal ballad in Dorian mode. Lyrical line over a slow, steady pulse.
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Nikolai Rimsky-Korsakov · Intermediate violin practice
Rimsky-Korsakov's evocative solo violin leitmotif from Scheherazade Op. 35 — the storyteller's voice, freely flowing and ornamental.
Premium repertoire · 92 seconds · 59 notes
G. F. Handel (HWV 63) · Intermediate violin practice
The triumphal march from Judas Maccabaeus. Two verses through the famous tune.
Premium repertoire · 112 seconds · 160 notes
Franz Schubert (D. 957 No. 4) · Intermediate violin practice
Schubert’s nocturnal serenade: the D-minor vocal melody in its written 3/4 phrase form, transposed down so the singer’s low pleas resolve onto the C string before the answering phrase rises.
Premium repertoire · 137 seconds · 169 notes
J. S. Bach (BWV 208) · Intermediate violin practice
The pastoral aria, gently transposed downward. Three complete verses of the lilting siciliano melody.
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Traditional American · Intermediate violin practice
A wandering river song. Slow, expressive bowing with wide leaps.
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Gabriel Fauré · Intermediate violin practice
Fauré’s lilting 6/8 sicilienne. The opening phrase rocks down through the G and C strings.
Premium repertoire · 92 seconds · 110 notes
Gabriel Fauré · Intermediate violin practice
Fauré's gentle Sicilienne in G minor — the lilting 6/8 melody with off-beat piano chords. Delicate, flowing, and atmospheric.
Premium repertoire · 180 seconds · 58 notes
Franz Xaver Gruber (1818) · Intermediate violin practice
The Austrian Christmas carol in 3/4 waltz. Two verses.
Premium repertoire · 111 seconds · 108 notes
Traditional American · Intermediate violin practice
An American partner-dance song. Two verses with the famous chorus.
Premium repertoire · 94 seconds · 110 notes
Will L. Thompson (1880) · Intermediate violin practice
Will Thompson's gentle gospel invitation hymn. Two verses and the tender calling chorus.
Premium repertoire · 101 seconds · 63 notes
Antonio Vivaldi (RV 269) · Intermediate violin practice
The tender "sleeping goatherd" Largo of Spring — a lyrical C♯ minor solo line with long, singing bow strokes.
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Felix Mendelssohn · Intermediate violin practice
The lilting "Song without Words" that announces spring. Light bowing with airy ornaments.
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R. Kelso Carter (1886) · Intermediate violin practice
Carter's bold hymn of assurance in God's promises. Two verses and the triumphant chorus.
Premium repertoire · 143 seconds · 128 notes
Traditional Irish · Intermediate violin practice
A beloved Irish country song in G major. Lilting 4/4 with an uplifting chorus.
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Antonio Vivaldi (RV 315) · Intermediate violin practice
The uneasy calm before the storm — a quiet, lyrical Adagio in G minor tinged with distant thunder.
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Pyotr Ilyich Tchaikovsky · Intermediate violin practice
Tchaikovsky's hauntingly beautiful Swan Theme from Swan Lake (Act II), adapted for violin solo in A minor.
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Pyotr Ilyich Tchaikovsky (Op. 20) · Intermediate violin practice
The aching B-minor swan theme, repeated an octave lower so the falling phrase settles onto the C string’s low F♯ and E.
Premium repertoire · 92 seconds · 88 notes
Ben Bernie, Maceo Pinkard & Kenneth Casey · Intermediate violin practice
The 1925 hot-jazz strut famous as the Harlem Globetrotters’ theme. Its chain of dominant sevenths (G7→C7→F7→Bb) makes a brilliant up-tempo fiddle workout.
Premium repertoire · 128 seconds · 188 notes
Wallace Willis (c. 1865) · Intermediate violin practice
The African-American spiritual. Verse stated up high, then echoed an octave lower so the refrain rolls through the C string.
Premium repertoire · 112 seconds · 128 notes
Johannes Brahms (Op. 90) · Intermediate violin practice
The Andante’s gentle clarinet melody, transposed so the answering phrase falls onto the C string.
Premium repertoire · 95 seconds · 112 notes
Ludwig van Beethoven (Op. 92) · Intermediate violin practice
The grave processional from the second movement. The repeating dactyl figure descends to the C string for each cadence.
Premium repertoire · 130 seconds · 152 notes
Joseph Haydn · Intermediate violin practice
The genteel theme that famously hides Haydn’s sudden fortissimo "surprise" chord.
Premium repertoire · 109 seconds · 154 notes
Vincent Youmans & Irving Caesar · Intermediate violin practice
Youmans’ 1924 hit from “No, No, Nanette” — the dotted “picture you upon my knee” motif is one of the most recognizable phrases in popular song. F major, with a bright modulation to A in the middle eight.
Premium repertoire · 140 seconds · 224 notes
Septimus Winner (1864) · Intermediate violin practice
The classic counting song. Two verses to count up to ten and back.
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Traditional Scottish / Robert Burns · Intermediate violin practice
Burns's melancholy Scottish air in G major. Expressive 3/4 phrasing with a lovely arching melody.
Premium repertoire · 108 seconds · 94 notes
Traditional English · Intermediate violin practice
The flowing English carol in 3/4. Verse, chorus, verse.
Premium repertoire · 92 seconds · 104 notes
Scottish Psalter (1650) / CRIMOND (Jessie Irvine) · Intermediate violin practice
The beloved Scottish Psalter version of Psalm 23, set to the CRIMOND tune.
Premium repertoire · 90 seconds · 51 notes
George Bennard (1913) · Intermediate violin practice
George Bennard's beloved Passion hymn. Two verses and the tender chorus.
Premium repertoire · 161 seconds · 110 notes
Traditional / Francis Scott Key (1814) · Intermediate violin practice
The United States national anthem in B♭ major — first verse, from "Oh, say can you see" to "the home of the brave."
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Camille Saint-Saëns · Intermediate violin practice
Saint-Saëns’ cello solo from The Carnival of the Animals — the cello’s natural register translates beautifully to the 5-string violin’s C and G strings.
Premium repertoire · 110 seconds · 106 notes
Traditional Irish · Intermediate violin practice
A rousing Irish pub favourite in G major. Strong 3/4 rhythm with a bold, singalong chorus.
Premium repertoire · 96 seconds · 130 notes
Lewis E. Jones (1899) · Intermediate violin practice
Lewis Jones's energetic gospel hymn. Two verses and the rousing chorus.
Premium repertoire · 161 seconds · 128 notes
Maltbie D. Babcock (1901) / Franklin L. Sheppard · Intermediate violin practice
A gentle nature hymn of creation. Three verses at a lilting triple-feel.
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Traditional English · Intermediate violin practice
A counting-song nursery rhyme. Two verses through the “knick-knack-paddy-whack” refrain.
Premium repertoire · 96 seconds · 144 notes
Fanny J. Crosby (1875) / William H. Doane · Intermediate violin practice
Fanny Crosby's great praise hymn. Two verses and the soaring refrain.
Premium repertoire · 165 seconds · 136 notes
Kahn, Erdman, Russo & Fiorito · Intermediate violin practice
The 1922 vaudeville send-off made famous by Al Jolson in “The Jazz Singer.” A 40-bar chorus in C major with playful chromatic runs.
Premium repertoire · 163 seconds · 154 notes
Robert Schumann (Op. 15 No. 7) · Intermediate violin practice
Schumann’s most beloved “Kinderszene”, set so the rising melody answers on the C string.
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G. F. Handel (HWV 348) · Intermediate violin practice
The lyrical Air from Handel’s 1717 Water Music suite.
Premium repertoire · 92 seconds · 88 notes
John Henry Hopkins Jr. (1857) · Intermediate violin practice
The processional carol in 3/8. Verse + chorus, then verse + chorus again.
Premium repertoire · 160 seconds · 248 notes
Joseph M. Scriven (1855) / Charles C. Converse · Intermediate violin practice
Scriven's tender hymn of prayer. Two verses and the reassuring chorus.
Premium repertoire · 137 seconds · 104 notes
Traditional English (GREENSLEEVES) / William Chatterton Dix · Intermediate violin practice
The Christmas text set to the traditional GREENSLEEVES melody, kept as its own seasonal arrangement.
Premium repertoire · 96 seconds · 126 notes
Traditional Sea Shanty · Intermediate violin practice
A bouncing sea shanty in D dorian. Verse, chorus, and a low restatement that drops to the C string.
Premium repertoire · 93 seconds · 150 notes
Antonio Vivaldi (RV 297) · Intermediate violin practice
The Largo’s singing E-flat melody, set above a low C-string pizzicato bass that imitates the original raindrop accompaniment.
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Pyotr Ilyich Tchaikovsky (Op. 49) · Advanced violin practice
The triumphant “God Save the Tsar” hymn at the finale, transposed so the great unison sweep keeps returning to the open low C.
Premium repertoire · 91 seconds · 141 notes
G. F. Handel (HWV 67) · Advanced violin practice
The bustling sinfonia from Solomon. Quick string-crossings on running eighths.
Premium repertoire · 92 seconds · 230 notes
Antonio Vivaldi (RV 293) · Advanced violin practice
The opening sixteen-bar Hunt ritornello from Autumn’s 3/8 finale: galloping figures and F-major horn calls.
Premium repertoire · 99 seconds · 320 notes
Antonio Vivaldi · Advanced violin practice
Vivaldi's jubilant harvest theme from Autumn (RV 293) — the main Allegro ritornello in F major, energetic and celebratory.
Premium repertoire · 66 seconds · 131 notes
Franz Schubert · Advanced violin practice
Schubert’s Ellens Gesang III: the twelve-bar opening vocal period in 6/4, transposed for violin. Smooth, connected bowing throughout.
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J. S. Bach · Advanced violin practice
The famous Lute Suite Bourrée — a Suzuki Book 3 staple. Lively dance in 2/2.
Premium repertoire · 130 seconds · 204 notes
Johann Pachelbel · Advanced violin practice
Pachelbel’s famous bass progression with five increasingly elaborate variations on top — quarters, eighths, sixteenths, then a return to the broad opening melody.
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Niccolò Paganini (Op. 1) · Advanced violin practice
Paganini’s celebrated theme in A minor. Both halves with a brief variation tag.
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Mykola Leontovych (1914) · Advanced violin practice
The hypnotic four-note ostinato builds through three statements before the climactic close.
Premium repertoire · 94 seconds · 136 notes
Antonín Dvořák (Op. 104) · Advanced violin practice
The cello’s grand entrance in Dvořák’s concerto, transposed so the heroic theme launches from the C string.
Premium repertoire · 92 seconds · 114 notes
Edward Elgar (Op. 85) · Advanced violin practice
Elgar’s autumnal Adagio melody. The cello’s natural register on the 5-string violin’s C and G strings.
Premium repertoire · 98 seconds · 94 notes
Camille Saint-Saëns (Op. 33) · Advanced violin practice
The volcanic opening of Saint-Saëns’ First Cello Concerto, scored for the 5-string violin’s low register.
Premium repertoire · 94 seconds · 140 notes
J. S. Bach (BWV 1007) · Advanced violin practice
The opening arpeggios of Bach’s First Cello Suite, arranged a fifth higher for the 5-string violin. Each measure outlines a different chord, dipping down to the C string for D and F♯.
Premium repertoire · 112 seconds · 315 notes
J. S. Bach (BWV 1008) · Advanced violin practice
The opening of the D-minor Prelude. Sweeping arpeggios that root each measure on the C string.
Premium repertoire · 98 seconds · 160 notes
J. S. Bach (BWV 1009) · Advanced violin practice
Bach’s C-major Bourrée I: the written two-eighth pickup and both eight-bar halves in alla breve.
Premium repertoire · 93 seconds · 310 notes
J. S. Bach (BWV 1009) · Advanced violin practice
The opening 32 bars of Bach’s exuberant C-major Prelude, in its written 3/8 arpeggio motion.
Premium repertoire · 177 seconds · 384 notes
Vittorio Monti · Advanced violin practice
Monti’s gypsy showpiece (1904). The famous lassú (slow) opening leading into the friss (fast).
Premium repertoire · 103 seconds · 182 notes
W. A. Mozart (K. 525) · Advanced violin practice
Mozart’s opening serenade, transposed to C major. Opening rocket theme, lyrical second theme, and full recapitulation.
Premium repertoire · 106 seconds · 201 notes
Nikolai Rimsky-Korsakov · Advanced violin practice
The dizzying chromatic interlude from Tsar Saltan. Continuous sixteenth-note motion.
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Léo Delibes · Advanced violin practice
The cascading soprano duet. Two statements of the entwining flower-petal melody.
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Jacques Offenbach · Advanced violin practice
The frenetic dance from Orphée aux enfers. Fast string-crossings and crisp staccato.
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Georges Bizet · Advanced violin practice
Carmen’s seductive descending chromatic line, sung over Bizet’s famous habanera bass: a rocking D – A – F♯ – A pattern that lives entirely on the C and G strings.
Premium repertoire · 114 seconds · 188 notes
G. F. Handel (HWV 56) · Advanced violin practice
Handel’s exultant chorus from Messiah, with the bass-and-chorus call-and-response anchored on a low C-string D so the basses can finally roar.
Premium repertoire · 107 seconds · 158 notes
Johannes Brahms · Advanced violin practice
Fiery Hungarian theme with sharp accents. Main theme, lyrical B section (Poco meno mosso), and da capo return.
Premium repertoire · 93 seconds · 194 notes
Edvard Grieg (Op. 23) · Advanced violin practice
The creeping ostinato from Peer Gynt. The first statement uses the inner strings, then the whole theme drops an octave onto the G and C strings before the great accelerando.
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Camille Saint-Saëns (Op. 28) · Advanced violin practice
The brooding introduction that precedes the rondo.
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Camille Saint-Saëns (Op. 28) · Advanced violin practice
The Spanish-flavored rondo theme.
Premium repertoire · 91 seconds · 114 notes
Max Bruch · Advanced violin practice
Bruch’s setting of the Hebrew prayer. The cello’s plaintive opening on the 5-string violin’s C string.
Premium repertoire · 117 seconds · 96 notes
Franz Liszt (S. 141 No. 3) · Advanced violin practice
Liszt’s "little bell". The leaping high-register theme.
Premium repertoire · 91 seconds · 102 notes
Henryk Wieniawski · Advanced violin practice
Wieniawski’s lyrical violin showpiece. The plaintive opening line through both phrases.
Premium repertoire · 94 seconds · 104 notes
Franz Liszt (S. 541) · Advanced violin practice
Liszt’s rapturous "Dream of Love". The flowing melodic line in 6/4.
Premium repertoire · 100 seconds · 112 notes
Scott Joplin (1899) · Advanced violin practice
Joplin’s landmark 1899 ragtime piece. The famous syncopated A-section melody in A major.
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Jules Massenet · Advanced violin practice
Massenet’s celebrated violin solo (1894). Soaring legato lines and expressive vibrato.
Premium repertoire · 137 seconds · 94 notes
Ludwig van Beethoven (Op. 27 No. 2) · Advanced violin practice
The hypnotic triplet figure of the Adagio sostenuto — three complete phrases spanning the full emotional arc of the movement.
Premium repertoire · 100 seconds · 193 notes
Ludwig van Beethoven (Op. 27 No. 2) · Advanced violin practice
The hypnotic triplet figure of the Adagio sostenuto — three complete phrases spanning the full emotional arc of the movement.
Premium repertoire · 100 seconds · 193 notes
Frédéric Chopin · Advanced violin practice
Chopin’s most beloved nocturne. The lilting 12/8 melody with its filigreed turn.
Premium repertoire · 94 seconds · 104 notes
Adolphe Adam (1847) / Placide Cappeau · Advanced violin practice
Adam’s soaring Cantique de Noël in D major, arranged as a single melodic line with the climactic refrain.
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Ludwig van Beethoven (Op. 13) · Advanced violin practice
The famous Adagio melody from the Pathétique Sonata.
Premium repertoire · 112 seconds · 114 notes
G. F. Handel (HWV 56) · Advanced violin practice
The exultant soprano aria from Messiah. Featured melodic figures with Handelian embellishment.
Premium repertoire · 93 seconds · 140 notes
W. A. Mozart (K. 331) · Advanced violin practice
The famous “Turkish March” — A section, stately B section in A major, then a full da capo of the Turkish main theme.
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W. A. Mozart (K. 545) · Advanced violin practice
The opening of the C major Sonata Facile. Clear classical phrases with lively scales.
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Antonio Vivaldi (RV 269) · Advanced violin practice
The joyful peasant-dance finale of Spring — bouncy repeated figures and a singing secondary melody in E major.
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Antonio Vivaldi · Advanced violin practice
The radiant opening ritornello stated twice, with a singing solo episode in between, then a return of the main theme.
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Hoagy Carmichael · Advanced violin practice
Carmichael’s 1929 masterpiece — perhaps the most recorded American song ever written. A long, winding instrumental melody that rewards careful phrasing; played twice through with a coda.
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Antonio Vivaldi (RV 315) · Advanced violin practice
The brooding opening of Summer — languid repeated-note figures in G minor evoke the oppressive heat of a sultry day.
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Antonio Vivaldi · Advanced violin practice
Vivaldi's ferocious storm movement from Summer (RV 315) — the famous Presto, with rapid passages and driving rhythmic energy in G minor.
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W. A. Mozart (K. 550) · Advanced violin practice
Mozart’s pleading G-minor theme, with the third statement dropped an octave, followed by the lyrical second theme and a full recapitulation.
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Ludwig van Beethoven (Op. 67) · Advanced violin practice
The four-note “Fate” motif and its development, dropped an octave so each “da-da-da-DUM” lands on the C string.
Premium repertoire · 96 seconds · 132 notes
Traditional Irish · Advanced violin practice
A spirited 6/8 jig full of bounce and energy. Great for developing light bow strokes.
Premium repertoire · 58 seconds · 144 notes
J. S. Bach (BWV 565) · Advanced violin practice
The thunderous opening flourish with a full development section — the famous toccata, then a chromatic fugue subject, then the toccata returns in triumph.
Premium repertoire · 102 seconds · 139 notes
Pyotr Ilyich Tchaikovsky (Op. 33) · Advanced violin practice
The graceful theme of Tchaikovsky’s Rococo Variations. The cello’s opening on the C and G strings.
Premium repertoire · 99 seconds · 136 notes
Pyotr Ilyich Tchaikovsky (Op. 35) · Advanced violin practice
Tchaikovsky’s gracious main theme.
Premium repertoire · 95 seconds · 116 notes
Felix Mendelssohn (Op. 64) · Advanced violin practice
The famous opening melody of Mendelssohn’s E-minor concerto.
Premium repertoire · 96 seconds · 96 notes
Max Bruch (Op. 26) · Advanced violin practice
Bruch’s soaring Adagio theme — one of the most beloved violin melodies.
Premium repertoire · 102 seconds · 98 notes
W. A. Mozart (K. 216) · Advanced violin practice
The opening of Mozart’s "Strassburg" Concerto.
Premium repertoire · 95 seconds · 144 notes
Pyotr Ilyich Tchaikovsky · Advanced violin practice
Tchaikovsky's sweeping waltz from The Nutcracker. The famous violin melody in D major, in graceful 3/4 time.
Premium repertoire · 96 seconds · 91 notes
Traditional English · Advanced violin practice
The wassail-style carol in 3/4. Two full verses with chorus.
Premium repertoire · 96 seconds · 162 notes
Felix Mendelssohn (Op. 61) · Advanced violin practice
The triumphant recessional. Two statements of the famous fanfare and answering phrase.
Premium repertoire · 128 seconds · 224 notes
Antonio Vivaldi (RV 297) · Advanced violin practice
The defiant finale of Winter — slipping on ice gives way to a resolute march in E minor, as Vivaldi celebrates that winter, too, brings its joys.
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Antonio Vivaldi · Advanced violin practice
Vivaldi's Winter (RV 297) — the icy opening Allegro in E minor followed by the famous singing Largo, evoking shelter from the storm.
Premium repertoire · 60 seconds · 93 notes
Pablo de Sarasate · Advanced violin practice
The slow, singing opening theme of Sarasate's Zigeunerweisen Op. 20. Rich gypsy cantabile in D minor with expressive phrasing.
Premium repertoire · 92 seconds · 58 notes
Pablo de Sarasate (Op. 20) · Advanced violin practice
The slow, declamatory opening of Sarasate’s Gypsy Airs.
Premium repertoire · 106 seconds · 102 notes